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17 minutes agoAuthor: Amit Karna
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|Starcast||Mohanlal, Meena, Anasiba Haasan, Esther Anil, Asha Sarat, Murali Gopi, KB Ganesh Kumar|
|Music director||Anil Johnson|
|Period||2 hours 33 minutes|
‘Drishyam 2’ is equipped with perfections on every front, including story, screenplay, dialogue, payment and treatment. It is absolutely worth seeing. Only the characters did not see anything imposed on the characters. The writing and editing of the film is so strict that when watching it, two and a half hours pass, there is no realization.
Story of the Ordinary Man becoming Extraordinary
The story of the film is about an Ordinary Human being extraordinary when his family is hit. The story starts from where the previous part was left. The protagonist, Georgekutty, ie Mohanlal, hid the corpse of the ex-police officer or Prabhakar family’s spoiled Sahabzade.
It has been six years since. But the police have not been able to detect it. Due to this, there is a lot of curiosity among the police. With this, the ego of the police department is constantly being hurt. Police officers, however, do not give up. In their own ways, police officers find out in two years of hard work that what was the matter? What happens next? Are the police really able to prove the hero guilty? What the protagonist tries to protect is the film.
The screenplay of the film is its strength
The strength of the film is its screenplay. The check and match between the police and Georgekutty goes on. The bet is held in turn by both hands. The screenplay does not move even an inch away from its core values. Apart from the police investigation, writer and director Jeetu Joseph has added a sub plot to the plot. They are prevalent perceptions of society and neighbors. If there is talk of rejections in love, love, then it is the guilty woman.
If the poor have taken revenge then the consolations of the society are towards them. If the same poor becomes rich after a few years, then the consolation of society later turns into jealousy. The plot of fear also runs parallel due to the past of the elder daughter of the protagonist Georgekutty. Organically, it has been shown that when the police pass in front of them, their condition is always loose. Despite repeated questions from the wife about hiding the corpse, Georgekutty does not reveal anything to him. The reason also seems justified.
Everyone’s performance is fixed
Mohanlal, Meena, Murali Gopi etc. have all given consistent performance in terms of performance. Writing does not have the gimmick of degrading the law so that the audience feels thrilled. The Hero resorts to legal loopholes, but this exercise can continue. Perhaps this is also his punishment.